The Fine Sale | 22 November 2017

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Lot no.

174

A George II walnut and featherbanded chest of drawers, circa 1740

Sold for £20000

Est: £20000–30000

A George II walnut and featherbanded chest of drawers, circa 1740, attributed to Giles Grendey, the rectangular caddy moulded quarter veneered top, above a brushing slide and four graduated drawers, above shaped bracket feet, 79cm high, 80cm wide, 52cm deep
For a chest of virtually identical size, design and construction, and bearing the trade label of Giles Grendey, see Adam Bowett, Early Georgian Furniture 1715-1740, Antique Collectors Club, 2009, page 104, plate 3:19. In addition, the unusual feature of hardwood rollers fitted to the feet, demonstrated by the example in Bowett’s book, is also present on the current chest being offered, although the actual rollers of the chest being offered are lacking. The cut out elements of the feet (for the rollers) and the construction and features of this part of the chest are also virtually identical to those demonstrated by the current chest. Whilst depending on photographs only from the example in Bowett’s book, it appears the current chest being offered could be as identical as one could expect. This strongly suggests the current chest was made in the same workshop.

Giles Grendey became an apprentice in 1709, and by 1716 taking on his own apprentices. He had a workshop in St John's Square, Clerkenwell from where he ran a successful, largely export business. He made a large selection of furniture to include tables, chairs and mirrors through to case furniture. One of his most well known commissions was for the Duke of Infantado, Lacanzo in Northern Spain where he designed a large suite of scarlet japanned furniture. Some of the pieces retained one of his labels or the initials of one of his apprentices. However, although it is known that he had a thriving workshop, firm attributions are rare, with little evidence of bills in country house records and few pieces still in existence bearing one of his two trade labels.



Marks, scratches and abrasions comensurate with age and use
old chips and splits, some old repairs.
The proportions of the locks vary from eachother so atleast some are associated, possibly all.
The handles are replaced. There are small holes present from the original set that have been neatly filled/ disguised. The current handles would typically date from circa 1750, the escutcheons are also likely replacements probably at the same time as the handles.

The side edges of the underside of the drawers have slender fillets of timber attached in order to aid the running of the drawers.
The rear panels appear original as do the feet. The rollers are lacking from the feet. Please see our catalogue footnote in reference to a virtually identical example bearing the label of Giles Grendey with the same arrangement to the feet also.
Please refer to additional images for visual reference to condition

The Fine Sale

Wednesday 22 November 2017, 10.00am

Donnington Priory
Oxford Road
Donnington
Newbury
Berkshire
RG14 2JE

Viewing

Sunday 19 November
10am - 2pm
Monday 20 November
9am - 5.30pm
Tuesday 21 November
9.00am - 4.30pm
Day of sale from 8.30am

Important Information

This website includes general reports of the condition of the property for various lots in this Sale. The absence of any condition or condition report does not mean, or imply, that the lot is free from any damage or restoration. If you require a condition report, please click on the Enquire about this lot button on the lot details page. We are not professional restorers and do not undertake conservation, and we strongly recommend that you consult such a professional of your choice who will be better able to provide a detailed report. Whilst we undertake every reasonable effort to provide a comprehensive representation of every item, prospective buyers should inspect each lot to satisfy themselves as to condition. Any statement, whether written or verbal made by The Fine Art Auction Group (trading as Dreweatts, Dreweatts 1759 and Bloomsbury Auctions), its staff and agents, is a subjective, qualified opinion and is only provided on this basis. Prospective buyers should also refer to any Notices regarding this sale, which are printed in the Sale Catalogue.

ALL LOTS ARE OFFERED AND SOLD IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE AND ANY REPORT OR VERBAL OBSERVATION IS ONLY PROVIDED ON THIS BASIS.

Artist's Resale Rights (“Droit de Suite”)

Lots marked with a delta symbol (δ) are subject to the Artist's Resale Right Law.The buyer agrees to pay Bloomsbury Auctions an amount equal to the resale royalty and we will pay such amount to the artist's collecting agent. Resale royalty applies where the Hammer price is 1,000 Euros or more and the amount cannot be more than 12,500 Euros per lot. The amount is calculated as follows:

Royalty For the portion of the Hammer Price (in Euros)
4.00% up to 50,000
3.00% between 50,000.01 and 200,000
1.00% between 200,000.01 and 350,000
0.50% between 350,000.01 and 500,000
0.25% in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/ Euro rate of exchange will be the European Central Bank reference rate on the day of the sale.